[woman vocalizing]
[overlapping vocalization]
Subtitles by explosiveskull
[vocalizing continues]
[vocalizing gets louder]
- The stain is gone. - [woman] That's a huge difference.
- [line ringing] - You could see how it was really...
You here?
No. I'm running late.
How late?
- Maybe... An hour, maybe? - Shh!
- An hour? - Yeah. I got... I got held up.
Shh!
So the deafening war between Spam and OxiClean is okay,
and I can't make a two-second call?
- Hang it up. - [man] Viv...
everybody's here waiting.
Okay. Okay.
[announcer on TV] ...the stain-fighting power of OxiClean!
[woman 1 on TV] Stains on T-shirts!
I see it coming out pretty quickly.
The stain is gone.
[woman 2 on TV] That's a huge difference.
You can see how it was really disgusting
and how white it is now.
[woman 3 on TV] Looks like the stain is coming out.
[operator on PA] Dr. Peter, please call Locating.
Dr. Peter, please call Locating.
[announcer on TV] ...number-one versatile stain remover.
- Now get the power... - [woman] Come on, Mom.
It'll be okay.
OxiClean gets the tough stains out!
Come on.
[announcer on TV] For a sandwich that rocks, try a Spam, lettuce, and tomato.
[woman on TV] More fun ideas at spam.com.
[announcer on TV] We're on the road, showing real people
the stain-fighting power of OxiClean.
[woman 1] Stains on T-shirts!
I see it coming out pretty...
[piano music through earphones]
[man, muffled] Ms. Cahala?
[announcer on TV] ...versatile stain remover.
[woman 2 on TV] It was really disgusting and how white it is now.
- [announcer] Get the power of OxiClean... - Excuse me.
One cap beats four of theirs.
- [orderly] This way. - OxiClean gets the tough stains...
[doctor] Here.
You can see it.
That's what's been causing the headaches.
Now, until we can look at the tissue under a microscope,
I can't tell you with total certainty,
but it looks like a very aggressive glioblastoma.
Now, we can remove as much of it as possible with surgery,
but there are serious risks to mobility,
to language skills, musical ability.
Um...
my singing?
Possibly, yes.
Um...
[sighing]
Um...
Sorry.
Take your time.
[exhales]
So...
I'm sorry.
So, um...
so w-what does this mean? [sobs]
With successful surgery
and some combination of radiation and chemo,
the average rate of survival is 14 months.
[inhales]
And without?
Less.
Significantly less.
We'll have the blood test results tomorrow.
We'll need to take more then.
I'm going to recommend Dr. Patel do your surgeries,
best surgeon for this kind of brain tumor.
I also suggest that you establish your own personal team
with friends and family who you can call on when you need them.
This is going to be a very intense,
rigorous period of time for treatment,
but you have the best team possible.
[indistinct chatter]
[chatter and laughter]
- [horn honking] - [siren blaring]
- [siren whooping] - [air brakes hiss]
[man] You see, there's a difference, of course,
where... when you talk tautology...
- [horn beeping] - [whistle blowing]
- [traffic noise] - [man shouting]
Yeah, we been waiting for, like, 10 minutes! Let's move it!
[woman] Hey, Emma, wait up for me!
[siren blaring]
[woman vocalizing]
[traffic noise]
- Hey, watch out. - Oh! Hey, yeah, you watch out!
Ooh! [grunts]
- Just... - I'm so sorry.
Just watch where you're going.
Watch where you're going.
Jesus fucking Christ.
[phone chiming]
Ma chérie, where are you?
I've called and called. I forgot my keys.
I had to bribe that terrifying doorman of yours to let me in.
I don't know how you can live here.
Darling, I have a constant anxiety attack.
Then why do you always visit me?
[woman] I know you have rehearsal.
Call me with the address, and I'll meet you there.
[drumming, faint]
[man] Nah.
No.
Oh. It sucks for morale when you're late like this.
They're fine. They love me.
Everybody loves you, but it's still totally fucking unprofessional.
You're totally fucking right.
I'm serious.
I know you're serious, 'cause you're swearing.
Come on.
You still have that interview today right after.
- [Viv] What about The Times? - I pushed hard. They passed.
You should have let me pitch the 20th anniversary angle.
You know how I hate commemorating shit like that.
"Milestones."
- Ugh. - [chuckles]
Just the worst.
And, anyway...
it's 25 years.
Really? Fuck.
- Tickets? - Good. Selling.
Good.
[musicians warming up]
Actually, um, you have an offer for Amsterdam,
two nights at Café Alto if you want them.
Right before Scandinavia, we have space.
We always had a good time in Amsterdam.
We did.
You okay?
Hmm?
My mother is here, so no.
You know, she called me today.
- What? - Repeatedly.
- What? - Yeah.
What did she say?
Are you kidding?
Why would I ever pick up that call?
Did you hear from Carnegie Hall?
Yeah, we were talking about a festival bill
or a Late Night at Zankel Hall.
Well, when?
You can't be obsessed about one place.
Things are good, okay?
Okay.
Think about Amsterdam.
I will.
We should go in.
Okay.
I know. I know.
I'm the worst. I suck.
If you guys want to quit, be my guest.
It's only a three-day gig at Birdland.
And I know you all have...
so much weed to smoke,
- [chuckling] - so many video games to play.
All right.
So we're good?
You got it, Mama. Of course we're good.
- Hi, Greg. - Hey.
Mmm. Mm-mmm.
Pete!
Okay. Let's just warm up with that, okay?
- All right. - Okay.
[man] We only got 'til 2:30, so...
- All right. - Let's get to it.
Thanks.
Hello.
["L'Anamour" playing]
[song fades]
- Hey. - Hey.
You wanna get coffee?
Can't. Interview.
Okay.
You have to listen... listen to some of the '70s.
Yeah, you know, the '70s funk's...
[stairstep creaks]
[footsteps on stairs]
[man] Hey! If they find you using that room, they're gonna charge me,
so either get going or give 'em a credit card number!
Yeah, yeah, we're, uh, we're on it.
Okay.
[laughs] You're bad.
- [bus engine humming] - [air brakes hissing]
[cell phone chimes]
[woman] Ma chérie, where are you?
I can't worry like this at my age,
but I do worry when I don't have news.
Tell me when you will be here.
- [end message tone] - [horn honking]
[man] No. Just speak, Liviya! I'm late!
Liviya, listen to me!
Seriously?
No, because I don't have time for your shit!
No, Liv, that's not fair...
Come on!
So, Liv, I gotta...
I gotta... Th-That's not... Are you gonna let me finish?
Okay. Seriously, stop it.
- [engine rumbling] - [dance music playing]
[Viv] Hi. May I see the... the dress in the window?
- [woman] Sure. - Thanks.
[jazz playing on radio]
[jazz song continues]
There you are.
- Thank you. - Mm-hmm.
[jazz song continues]
[woman] That looks great on you.
Thanks.
[violin music playing]
[overlapping voices, faint]
[overlapping voices and vocalization, louder]
[voices and vocalization fading]
[cell phone chiming]
[footsteps]
Hi.
I'm sorry about the location change.
Yeah. Online, it said the restaurant was closed,
but I thought maybe you knew something I didn't.
Yeah. I... I just forgot.
It's been there for so long.
- Hi. Oona. - Vivienne.
- Nice to meet you. - Nice to meet you.
You went there a lot?
Um, in my early New York days, yeah.
Said a lot of famous people went there.
I met Donald O'Connor once there.
- Do you know who he is? - Sure.
Anyway...
So I usually record.
Sure.
So this weekend celebrates your 25th anniversary at Birdland.
Hard to believe, but yes.
And as a seasoned veteran on that scene,
what do you appreciate most about where you are now?
Um...
Well, I'm... I'm...
grateful to have a... a life...
in music,
to mostly be able to pay my bills,
play legendary clubs with musicians that I admire.
I mean, sure, there are...
there are things that I haven't achieved, but...
I'm not done yet.
And you have a new album?
I do, yeah. It's my ninth.
- I mean, if you don't count the duets album. - [chuckles]
Believe me, I don't count that album.
Oh, a lot of people liked that record.
Well, bless their hearts.
And the new one's called...
- 3rd & A. - Okay.
That's where I first lived in New York.
- 3rd and A. - It's great around there.
Yeah, I mean, it is now, but then it was...
Anyway.
So a lot of people think 3rd & A
is about your breakup last year...
with your fellow musician.
My inspiration comes from many different places,
many different things.
So your broken engagement didn't influence the album?
Uh...
All of my albums
have been influenced by all of my broken engagements.
I also have some incredible musicians,
um, joining me for the weekend shows,
Diana Krall for sure.
My manager will have all the other details,
you know, about the others.
He'll have the... those details tomorrow.
[Oona] Great.
So this is just a couple paragraphs with some stuff about the new album.
I think I have what I need.
- Thank you. - Thank you.
[thunder rumbling, faint]
[waiter] Anything else?
No. That was plenty, I guess.
Thank you.
[thunder rumbling]
[jazz music playing]
[honking and traffic noise]
[jazz music continues]
Hi.
Hey.
[laughing]
Hey.
You need anything?
No, no, no. Nah, I was just walking by.
Couldn't resist coming in.
This weekend. Can't wait.
Yeah. Me neither.
Your new stuff live,
it's gonna be killer.
I hope so.
It's your best yet.
No.
You know I don't blow smoke.
Not about the music, anyway.
[cell phone chiming]
Oh, shit.
I have to take this.
All right. I'll see you tomorrow.
You will.
[cell phone chiming]
- Hello. - [man] This is your Lyft driver.
- I'm pulling up right now. - Okay.
- [thunder rumbling] - [rain pittering]
Shit.
[driver] Yeah, one second.
- Hi. Vivienne? - Huh?
- Vivienne? - Yeah.
You have the address?
Yeah.
[speaking in Arabic]
[car horn honking]
[in English] No!
No, I am!
[scoffs]
[speaking in Arabic]
[heavy metal music playing]
Hey, can you turn that down?
Just... Just this song, all right?
Just please turn it off.
[volume increases]
It's one song.
All right, you know what? Just let me out here.
- Here? - Yeah, just stop. Just stop.
- I'll get out here. - Here?
- [violin music playing] - [woman vocalizing]
[music and vocalizing fades]
[key enters doorknob]
[latch clicking]
[woman, in French]
Eh?
You know, rehearsal,
everywhere, everywhere.
[in French]
[Viv, in French]
[in English] I know.
We don't have an audience at rehearsal.
[in English] I am not an audience.
- Guests. - I'm not a guest.
Really? Did you join the band, and no one told me?
Ha ha. Funny.
I want to support you.
Why is that such a tragedy for you?
Tell me, how is the band?
Is everyone okay?
Oh, my God. I just walked in the door.
Please, please. Just... Just wait to interrogate me.
[in French]
[in English] We need to... to talk.
How are you feeling?
[in French]
[in English] When did you speak to him?
He said that?
Not sold out and not selling well are not the same thing.
[in English] What you do is so difficult.
So much disappointment.
But you keep going, and I admire that.
Can you please stop?
[in French]
Perfect.
[door shuts]
["Si Belle et Inutile" playing]
[humming]
[volume increases]
[sings along in French]
[humming in tune]
[mother, in French]
Lio.
It was my favorite record when I was 16.
'Cause I loved it.
Don't talk to me through a closed door.
[song continues, muffled]
[sighs]
[sobs]
[sobbing]
[sighs and groans]
[song ends, muffled]
[sighs]
Oh, shit.
[in French]
[in English] Come on. Come on.
Please, don't be silly. Don't be silly.
Hmm?
[sighs]
[laughing]
Allez.
- Have you seen a brown paper bag? - Non.
Brown paper bag with handles?
- What? - You know, with handles?
[in French]
Shit.
Shit. I've lost the dress that I bought.
[line ringing]
- Yes? - [Viv] Hi. Um...
You were my Lyft driver earlier this afternoon,
and I think I left a shopping bag in your...
in the back seat.
[driver] A brown bag. A paper bag with handles?
- Clothes or something? - Yeah. A dress.
I have it.
[Viv sighs] You do!
[driver] Where are you?
Oh, I'm at 49th between 2nd and 3rd,
but I can meet you somewhere else if that's easier for you.
I'm not far.
I'll pay you for your time.
I didn't ask that.
Give me a couple minutes.
[Viv] Thank you.
[car speeds by, muffled]
Hello. I have to go.
I'm on the phone.
No, I can see that, but I have to go.
- Where? - To find my dress.
Just a second. My daughter's here.
I'm just going to... I'll talk to you later, okay? Okay.
[sighs] Well, that was Enzio.
Who?
Enzio.
I told you about him, the Italian.
Oh. I... I can't keep track.
We had this passionate weekend,
sex every minute,
and the next weekend, uh, he's unavailable.
I don't need to commit,
but I don't want to be humiliated, either.
Uh-huh. Anyway, um, I'll be back.
When?
I don't know. I have to retrace my steps.
Well, I'll come with you.
Oh, no, no, no, no. It's okay.
[in French]
When does your sound check start tomorrow?
- Why? - I want to come.
I want to see your preparation.
Um...
I'll...
I'll... I'll see you.
[door opens and closes]
[woman] Yeah, it's... it's easy.
[man] Go, go, go, go!
[woman 2] You're in for it now.
[cell phone chimes]
I'm sorry.
- Hello. - [woman] Ms. Carala?
I'm calling to confirm your appointment
with Dr. Holt for tomorrow at 8 a.m.
Oh.
Um, yes, it... I'm confirmed.
[woman] Nothing but water after midnight,
and you should bring someone with you.
It's a lot of information.
[Viv] Okay.
[woman] One of the tests involves mild anesthesia,
so whoever's with you must sign you out.
Okay.
See you in the morning.
Okay. Thank you.
- [cell phone beeps] - [sighing] Oh, God.
- [vehicle slowing] - [horn honks]
Hi!
Hi.
One second.
Uh, it's in the back seat.
Oh.
- [driver speaking in Arabic] - Ah.
Thank you.
[continues speaking in Arabic]
Okay.
Wait, wait, wait, wait! Wait, wait!
Hey, hey! Wait.
Sorry.
[driver] Yeah, one second.
Sorry. Since you're here, can I, um...
can I get a ride?
Uh, I can't. I'm on the phone.
Oh, it's fine. It's not far. I don't mind.
I'm not asking your permission to talk on my phone in my own car.
I'm not taking you,
because I'm having an important phone conversation,
and I don't want anybody in the car while I'm on it.
Okay.
[speaking in Arabic]
Hey, Viv.
Hey, Joey. How are you?
They know you're coming, or you want me to call up?
Yeah, they know I'm coming.
Okay, thanks.
[knocking]
[rapid knocking]
[latch clicking]
Hey.
You said you'd text when you were on your way.
Didn't I?
No, you didn't.
- I thought I did. - Come in.
Had I known, I would have made more food.
Oh, that's okay.
She should be home soon.
She doesn't usually get home until about 7:00 on a Thursday.
[Viv] Yeah, I know. Practice.
I know that.
Yeah.
Do you want something? A drink or...
Uh... yeah.
I guess just some water is good. Thanks.
Okay.
Nice skirt.
It's the same one you always like.
[chuckles]
So is this just a stop-by, or should I make more food?
No. I just wanted to talk to you before she got home.
Right. Okay, well, that's good...
because I've been meaning to talk to you, too.
Yeah, your tour dates, are they firm?
Um...
Well, there's sort of a...
they're still sort of shifting.
- Right. - Why?
Well, she got her recital dates,
and based on the dates that I have, you're gonna be gone.
And she's upset?
Well, she didn't say she was upset, but, uh...
- She's upset. - She's fine.
She's kind of used to it.
Well, what do you want me to do?
I don't want you to do anything, Viv.
I just... I know that she'd love you to be there.
I just want you to know that.
Well...
maybe I could move the dates, some dates.
Okay. Just please don't promise anything
unless it's a done deal.
I wouldn't.
I mean, honestly,
the whole tour in general is in question now.
Why?
I...
[door opens]
- [man] Hey. - Hey.
Hey, your mom's here.
Hello, Sweets. How was practice?
I didn't know you'd be here.
Oh, yeah. I just thought I'd drop by.
Hey, Grand-mère is in town for my shows.
I know. She called me, like, seven times today.
She wants to see you.
Yeah, I want to see her, too.
More than you do, I bet.
[man] So?
So why don't I come back after she's sleeping?
Maybe tomorrow.
Or I'll just...
[in comical accent] What's-a matter with the spaghetti?
Well, I'll let you guys eat.
[softly] Come on, Viv.
- Can we just eat once? - No, no, no. Honestly,
- I'm... 'Cause I... - Just eat with us.
No, no, no, 'cause I got stuff. I'll see you later, okay?
Okay.
[man] Don't take any of it personally. She's just...
[Viv] Oh, yeah, yeah, yeah. Of course.
- It's fine. - We'll talk later. Okay?
You okay?
Yeah. Yeah. I'm... I'm okay.
Oh, shit.
- [violin music playing] - [ambulance siren blaring]
[laughter]
[laughing and screaming]
[violin music continues]
[violin music fades]
I saw a whale here once.
Right there...
swimming.
Big as a truck.
You don't believe me, do you?
[line ringing]
[ringing continues]
Hey. Can you meet me?
Now.
Um, yeah. Where?
The usual.
Nice or dive?
Nice.
Okay. See you there.
Okay.
[woman vocalizing]
[vocalizing and piano music overlapping]
[man over megaphone, indistinct]
[honking]
[vocalizing and piano music fades]
Hi.
Yes.
Um, can I have the vanilla, please?
No, no, actually could... could I have the coffee?
No, no. The strawberry.
Actually, I'm just gonna stick with the vanilla.
Just vanilla. How much?
- One dollar. - Okay.
- Thank you. - Thank you.
Thank you.
[woman laughs] No, I know!
[man] Take two Saturdays and two Sundays, so...
- Does that count? - So five days' notice.
I don't know if it counts.
Viv!
Vivienne.
- Hi, Tessa. - Oh, my God!
Wow. It's been ages.
- How are you? - Good. I'm good.
- You look great. - You, too.
Are you heading somewhere?
Oh, I was just...
Well, then, come join us.
I would love to, but I have a thing.
Well, just a drink, then.
You have to join us. It's her birthday.
That's right. It is your birthday today.
Yes, so I make the rules.
- Okay. - One drink?
One drink.
Come. It's Viv.
- [Tessa] Can't believe it. - [Viv] I know.
Everyone, this is my friend Vivienne.
Viv, everyone.
- [woman] Hi. - [Viv] Hi.
- Hey. - Hi.
Sorry. Hey.
Is this... Did I...
- Okay. - Chablis?
Oh. Sure. Thanks.
- Thanks. - We just finished,
but if you want something,
the waiter was just about to come over...
Oh, no, that's okay. I'm good.
All right. As long as you're good.
Hey, Viv, you remember my husband Hugo.
Of course. Yeah. Hi.
- Nice to see you. - Hi.
Let's, um... Let's...
Hi.
- Hi. - Hi.
Oh, my God. Please catch me up.
I am always at home with the five-and-under set.
I have no idea what's happened in the last five years.
You have more than one now?
Three.
- Wow. - I know.
We're crazy. One, three, and five.
Congratulations.
Well, this is why we never see each other.
I've missed you.
I have missed you.
Yeah.
But what I've heard, it's incredible.
Oh. Thank you.
Thanks, yeah. Still an uphill battle.
Well, sure, but, I mean,
getting to perform and see the world,
I can't even imagine how amazing it must be.
Yeah.
Oh.
I heard you were engaged.
Well, uh...
I... I was engaged.
Was engaged, yeah.
- I'm sorry. - Thanks.
I'm really sorry. I didn't know.
Oh, no, no, no, no. It's fine.
It's fine. I'm fine.
Well, how's Lucie?
She's good.
She's what? She's, like, 12 now?
She's 16.
Sixteen?
- No. - Yes.
- Are you sure about that? - Yeah.
Wow. Well, so is she with you now,
or is she still with...
With her dad. Yeah.
- Mmm. - Yeah. Yeah.
'Cause of my schedule.
No, of course. I mean...
Oh.
Does anybody have a cigarette for me?
Thank you.
- Oh, come with me. - Okay.
Yeah, I gotta get out of here.
- [bartender] Thank you. - Later.
Honestly, it's a shit show at home,
and I have no time to do anything.
I mean, my fricking career, right?
You know? My life...
[Viv] Yeah.
Oh, there'll be time.
In a few years, I guess.
That's what I keep telling myself, anyway.
There's time, right?
- Yeah. There's time. - For sure.
[cell phone chiming]
Sorry.
Who's that?
Why?
The look on your face.
Who sent you that?
- It's my drummer. - [gasps]
You're fucking your drummer?
No.
[chuckles] Yes, you are.
Okay. Yes, I am.
Please tell me you're going over to his place right now.
No. He's... He's playing with this singer I really like, so...
- Oh. - I said I'd drop by.
- Oh. - [Hugo] Tessa.
It's time for cake.
- Sorry. - Go, go, go.
- No, no, no. Go. - It was so great to see you.
- Really good. - Really good.
Really good to see you.
- Have a great night. - Okay.
Thank you very much.
Well, um, so...
let's get together again soon, okay?
- Just like old times. - [laughing]
- Bye. - Happy birthday.
Thank you!
♪ Happy birthday to you ♪
♪ Happy birthday, dear Tessa ♪
[fading] ♪ Happy birthday to you ♪
♪ I dream a garden ♪
♪ With colors that stretch Towards infinity ♪
♪ When I awake ♪
♪ Its blossoms are dancing ♪
♪ Within me ♪
♪ Oh, oh, oh, yeah ♪
♪ Yeah ♪
♪ Wanna be your heart And beat for you ♪
♪ Wanna be your eyes And see for you ♪
♪ Wanna be your lungs And breathe for you ♪
♪ Wanna be your soul and ♪
♪ Be for you ♪
- [song ends] - [applause]
[man] Yeah!
[singer] Thank you.
Thank you so much. Thank you so much.
Great.
We have a very special guest here,
and I'm so pleased to welcome her.
Ladies and gentlemen, Vivienne Carala.
[applause]
Yeah.
- It's so... - I'm so happy.
Hello.
- Hi. - Hi.
Good to see you. Okay.
- Talk among yourselves. - [laughter]
Um... [clears throat]
- [piano music starts] - ♪ Sometimes I feel ♪
♪ Like my heart turns to dust ♪
♪ Unfollow the rules ♪
♪ Unswallow the trust ♪
♪ Sometimes I feel like My brain turns to leaves ♪
♪ Unfollow the rules ♪
♪ Uncover the thieves Of the game ♪
♪ Sometimes I reel in A fish far too small ♪
♪ Back into the sea ♪
♪ Hook, sinker, and all ♪
♪ And behold ruins From before the fall ♪
♪ Stop looking, and see ♪
♪ And just heed the call Of the plebes ♪
♪ Just like Hercules in Thebes Was just ♪
♪ By just being a man ♪
♪ But I'm no Hercules ♪
♪ And this is Herculean ♪
♪ Tomorrow ♪
♪ I will just be Feeling the pain ♪
- [strings swelling] - [piano continues]
♪ Don't give me ♪
♪ What I want ♪
♪ Just give me ♪
♪ What I'm needin' ♪
♪ Unfollow the rules ♪
♪ Unfollow the path ♪
♪ To the seeding ♪
♪ I'll never know ♪
♪ But perhaps I'll have a feeling ♪
♪ Unfollow the rules ♪
♪ Unfollow the wrath ♪
♪ To the stealing ♪
♪ But I'm no Hercules ♪
♪ And this is Herculean ♪
♪ Tomorrow ♪
♪ I will just be feeling ♪
♪ The pain ♪
♪ Don't give me ♪
♪ What I want ♪
♪ Just give me ♪
♪ What I'm needing ♪
♪ I'll never know ♪
♪ But perhaps I'll have a feeling ♪
♪ Unfollow the rules ♪
- [strings fade] - [piano continues]
♪ I'll never know ♪
♪ But perhaps ♪
♪ I'll have a feeling ♪
[song ends]
[cheers and applause]
Thank you.
You guys were a great audience.
No, no, no, no, no. I can't. I can't.
I have an early morning. I...
Really.
Okay.
Yeah, okay.
You're... You're bad.
[moans]
[moaning]
[moans]
[car honks]
[siren blares, muffled]
[jazz guitar playing on radio]
Hey.
[driver] Hi.
Hi.
Um...
I think we met earlier.
You rescued my dress.
Yeah. Mm-hmm.
It's a... It's a coincidence.
In New York?
Nah. Mm-mmm. Happens all the time.
Yeah. It does.
[DJ, on radio] Django Reinhardt here on Soft Jazz 77.
You get to go home soon?
[sighs]
If I want to.
My wife and I had a fight earlier.
I love her, but, uh, you know how it is.
Yeah.
- [song continues] - [volume increases]
Amazing.
All this...
and his hand was half paralyzed.
One of the greatest to ever live.
First a tragedy, then a miracle.
I'd like to change the destination
or, you know, the address where I'm going.
[song continues]
[jazz guitar fades]
[woman vocalizes]
[police siren]
[woman vocalizing]
- [violin playing] - [woman vocalizing]
[music fades]
I won't be long. Would you wait?
I would pay you for the time, of course.
People say they won't be long, but they're always long.
[Viv] Well, how much 'til 8 a.m.?
Oh. Uh...
I could do, uh, 65 an hour.
Okay.
[driver] Okay.
- Thanks. - Mm-hmm.
[exhales]
[soft piano music plays]
Hey, Liev.
Should I call?
No. They're expecting me.
Thank you.
[piano continues]
[groans]
It's the middle of the night.
I told you I was coming back.
Yeah, but come on. It's the middle of the night.
Gosh. Can I come in?
- Yes. Just be quiet. - I'm sorry.
I didn't realize it was so late.
Yeah. You can't just keep doing this.
- You can't just keep... - What?
dropping by whenever you feel like it.
Well, I don't think that's very fair.
I'm trying to create some kind of stability here for her,
and you just keep fucking it up.
- Yeah, okay, I hear you. - All right, do you?
- Yes, I hear you. - Do you, really?
Oh. Okay.
- Hi, honey. - Mom?
I'm too tired for this.
I'm just gonna say good night to her.
Yeah. It's more important.
Thank you.
- [Viv] Hi. - [Lucie] Hi.
Did I wake you up?
Nah. I couldn't sleep.
What are you doing?
Here. Listen.
Okay.
[soft acoustic guitar playing]
[Lucie singing] ♪ Who goes Walking down the line ♪
♪ If it breaks on you Each time? ♪
- ♪ Leave a trail ♪ - It's good.
♪ Of bread and crumbs ♪
♪ To try to get back All once was ♪
♪ But who goes walking... ♪
Is that you?
Yeah, me and Alex. We've been making some stuff.
I like it a lot.
Yeah?
A lot.
[song continues faintly through earphones]
- You left that. - Hmm?
I did.
I looked at it.
Do you like it?
It's gorgeous.
Is it for one of your shows?
What?
Nothing.
You're freaking me out.
What? How am I freaking you out?
You just look, like, really sad and serious.
Did the tour get longer or something?
No. No, no, no. Everything's good.
Looks like the... some of the tour might get canceled, actually.
Why?
I'm just...
I'm over it, touring.
You love touring.
[song continues through earphones]
[song stops]
That's for you.
On loan?
No.
You didn't get this for me.
It's yours.
I... I love it.
Thank you.
You should... You should go to bed.
You should go to sleep.
I will if you will.
You coming to my show this weekend?
Yeah, Saturday.
With Grand-mère. Didn't she tell you?
No, but good.
She was pissed you ditched her tonight.
She called you?
Of course she called me.
Glad you'll be there.
I wouldn't miss it.
I've missed...
so much.
It's fine.
I like you so much more
than a lot of my friends like their moms right now.
Night.
Good night.
Night.
[speaking in French]
[telephone ringing]
You and your French movies.
Well, there's a reason I was interested in you.
You were just in love with my mother, that's why.
What was I thinking?
Seriously.
[speaking in French]
What are you doing?
[music in movie playing]
What's going on with you, Viv?
[movie music continues]
The... The little pain in my head...
did I tell you about that?
Ye... yeah. Well, a long time ago.
Is there something wrong?
Yeah.
Is it serious?
Maybe, they think.
I have to have some more tests tomorrow morning.
You just... You just now got it looked at?
Just you...
You've had that pain in your head for a long time.
I know. I've just... I've been so busy...
Jesus, Viv, why...
why don't you ever take care of this shit?
I mean, the... the really important shit.
It's not just about you, Viv.
It hasn't been for a long time.
- Yeah. I know that. - It's not just about you.
Okay, stop. Stop.
Just back off for a fucking second, okay?
[sighs]
If it is serious...
you have to tell me before you tell Lucie
so that we can figure out how we're gonna tell her.
Okay?
[exhales]
- I should go get some sleep. - [stammers and sighs]
I'm sorry.
It's not that I don't care.
Of course I fucking care. It's just...
I'm gonna go look in on her for a second before I go.
Okay.
[sighs]
[sobs]
[sobbing]
[muffled sobbing]
[softly sobs]
[soft piano music playing]
[birds chirping]
[piano continues]
[door creaks and closes]
[piano music fades]
[birds chirping]
[soft piano music playing]
[soft creaking]
Hi.
I... Sorry it's so early.
[sighs]
[voice breaks] Uh, no.
No, I'm not. [sobs]
Okay.
[sobbing]
[siren blares, muffled]
[door closes softly]
[sighs] Where to? [clears throat]
Um, 68th and York.
The hospital there?
Yeah.
[woman vocalizing]
[piano music and vocalizing overlap]
[driver] Did you get much sleep?
No.
- Did you? - No.
We're here.
[Viv] Can we stop for coffee?
[driver] Sure.
[music ends]
[driver] Coffee?
[Viv] Uh, yeah. Thank you.
[driver] Hi. Let me get a coffee and a tea, please.
[man] Sure thing.
Oh, I just remembered I can't drink this.
That's all right.
I'll hold it for you for later.
I'm okay from here.
You sure?
Yeah.
I'm sure.
[soft music playing]
[soft music continues]
[soft music ends]
[breathing]
[exhales]
[woman singing "I Think We're Alone Now"]
Subtitles by explosiveskull
[singing continues]
[singing ends]
[woman vocalizing]
[humming]
[overlapping humming and vocalizing]
[overlapping vocalizing]
[vocalizing stops]
[overlapping vocalizing and humming]
[humming and vocalizing continues]
[humming and vocalizing swells]
[humming and vocalizing stops]